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Symbolising and Simplifying the Limitless: The Art Behind Omnism's New Symbol


My Goal:


Embarking on the journey to redesign the symbol of Omnism, my aim has been to craft a emblem that not only pleases the eye but also conveys its intended message with clarity and precision, even from a distance. This endeavour has been deeply rooted in the principles of geometry, where intricate shapes and patterns are harnessed to create a symbol that resonates with the essence of Omnism.


Within this post, you will discover a deliberate linework that serves as a guide, making it accessible for all to understand and trace. While I have chosen a monochromatic palette, employing shades of black and white, I wholeheartedly encourage you to embrace your creativity by applying your preferred colours and shading techniques. The canvas remains open to a spectrum of ideas.


The decision to create a blank template not only invites artistic expression, but also allows for the continuous refinement of interpretation, all in the pursuit of achieving the most meaning to you personally. It also has the added bonus for the outline of a tattoo.

Within these lines and curves, you will discern the synthesis of diverse ideologies, the interplay of symbols from various faiths, and the embodiment of the Omnist philosophy; a philosophy that seeks unity among diversity, understanding among differences, and the quest for a harmonious coexistence of all spiritual belief systems.




The Geometry Behind It:

Within the image featuring concentric circles in shades of cyan and red, I have meticulously delineated two manifestations of the Fibonacci sequence. I will denote each circle by the symbol phi φ. "1:1φ, 2:1φ, 3:1φ, 5:1φ.." would be for the red set, and "1:2φ, 2:2φ, 3:2φ, 5:2φ.." would be for the cyan set.


Each new circle within this sequence aligns precisely with specific points in the image, leading to a visually pleasing and aesthetically balanced composition. This incorporation of the Fibonacci sequence is not merely an artistic choice but serves a deeper purpose.


As the sequence progresses, it approaches the revered Golden Ratio, a mathematical phenomenon of great significance to the universe. Moreover, this sequence maintains an intriguing relationship with the constant Pi π, further reinforcing the symbol's foundation in the fundamental principles of mathematics. For instance, Phi and Pi are very closely related to the dimensions of the Great Pyramid. Thus, through the use of these simple geometric shapes, the symbol is firmly grounded in the profound truths of mathematics, history, and spirituality.




The Seed of Life:

At the heart of this symbol, you will discern the presence of the Seed of Life, inside 1:1φ. This rather simple shape is the basis of Sacred Geometry, parts of which, this is based upon. This intricate configuration is crafted by the meticulous construction of a central circle, from which emanate six additional circles, each sharing the same radius and positioned precisely at the intersections of the original circle. This geometric marvel, known as the Seed of Life, carries profound spiritual symbolism, offering boundless significance.


Intriguingly, the Seed of Life's intricate pattern that I have chosen, bears a simplified resemblance to the atomic structure of Carbon-12; with its six electrons, six protons, and six neutrons (in this symbol, the Nuclei of which can be found in the inner Hexafoil). Carbon is forged in the hearts of stars, and is a fundamental element, a building block of life as we know it. It is found in the DNA and proteins that make up all living organisms. This juxtaposition underscores the symbol's capacity to encapsulate the profound connections between the science and spiritual lenses.




Metatron's Cube, Anahata, and the Star of David:

Radiating outward from the Seed of Life to 5:1φ, an intricate pattern known as Metatron's Cube emerges. This remarkable structure encapsulates the essence of interconnectedness by housing within it every 3D Platonic Solid; a concept once believed to represent the fundamental building blocks of the universe. Within the intricate lattice of Metatron's Cube, one can discern the familiar Star of David. Alongside this, one can discern not only the familiar Star of David but also the subtle presence of the Heart Chakra, also known as Anahata. The Anahata has Hindu, Yogic, and Buddhist links, and is associated with balance and serenity.


Notably, the star is intertwined with itself, as an homage to the intricate variations of Celtic Knots. Additionally, the star can also be perceived as a representation of our very own Sun, with the atomic elements arising at its core, mirroring the fiery heart of stars and the formation of life sustaining elements within the crucible of these celestial bodies.

Within the multifaceted geometry of Metatron's Cube, one may also shade in a stylised Peace symbol, further emphasising the message of harmony and unity inherent in this design.




Crescent Moon:

As we expand outward to the subsequent two Fibonacci circles (8:1φ, 13:1φ), we encounter the genesis of a crescent moon; a vital component of the iconic Islamic Crescent and Star symbol. In a deliberate departure from the conventional orientation, this crescent moon has undergone an obvious 90-degree rotation. Furthermore, the customary five-pointed star typically associated with this emblem has been intentionally replaced by the Star of David, a deliberate, and significant departure that carries further symbolism. By uniting the Islamic Crescent Moon with the Star of David of Judaism, we emphasise the shared roots and common threads that bind these traditions. Thus, within this symbol, we find a visual testament to the shared Abrahamic heritage.




Yin-Yang:

Nestled within the confines of the crescent moon (8:1φ, 13:1φ), we discover a representation of the Taoist Yin-Yang symbol; an emblem deeply rooted in Eastern spiritual practices. This incorporation, when utilising the monochromatic colour scheme, allows the Yin-Yang, when fused with the left hand side of the crescent moon, to form a celestial body gracefully appearing to orbit the Star of David. This celestial entity, within the context of our symbology earlier of the Sun, embodies this as none other than our own planet, Earth.


By using this composition, we now encompass the triad of the Sun, Moon, and Earth, albeit not to scale. This could also be interpreted as the Christian Holy Trinity, where all three are made from the same; atoms.


The Yin-Yang, with its poignant symbolism, aptly portrays Earth's multifaceted nature, symbolising the duality and interconnectedness intrinsic to humanity and, by extension, to the tapestry of spiritual beliefs. Reinforcing the idea that within diversity and duality, there exists a profound unity. Notably, the Yin-Yang requires both sets of Fibonacci circles to form its proper dimensions; using the 5:2φ and 8:2φ circles for the centres of the two 'seeds'. As the Yin-Yang is the only symbol to use both sets of Fibonacci circles, it is a slight nod to the duality of the symbol.




Pentagram and the Ring of Omnism:

Extending our exploration to the outermost circle, we encounter a pentagon. Within this geometric figure lies the potential to shape a Pentagram, a quintessential symbol of mystical significance.


The pentagon finds itself slightly entwined with the ultimate Fibonacci circle, 13:2φ, employing yet another Celtic Knot motif.


The final ring of 13:2φ also represents the initial lettering 'O' of Omnism itself, thereby encompassing all the spiritual traditions within it.




Crafting Your Faith: The Personalised Omnist Symbol

In this iteration of this symbol, the addition of six smaller circles with the diameter of 1:1φ has been added. This presents an opportunity to incorporate a diverse array of spiritual symbols, each chosen according to personal preferences.


While this versatility holds the potential to accommodate a multitude of spiritual ideologies, it does introduce the challenge of visual complexity. The risk of visual clutter may compromise the symbol's overall aesthetic appeal, which runs contrary to the initial intent of me simplifying the symbol in the first place. Balancing inclusivity with clarity is an ongoing consideration, as the desire for a comprehensible and easily recognisable symbol from a distance remains paramount. The intention behind this design, after all, was to create a new symbol for Omnism that offers a visually clean and universal, easily understood representation.


In recognition of this, the decision to foreground three of the most widely recognised symbols emerges as a pragmatic choice. This approach ensures that, even at a distance, the symbol unmistakably conveys the message of inclusivity, and represents a shared emblem of multiple spiritualities. While it may not encompass every spiritual tradition, it stands as a symbol that can be readily understood as representative of Omnism, offering a compelling and unifying visual identity.


It's worth noting that the careful design ensures that removing any particular symbol, such as the Yin-Yang or the Crescent Moon, does not disrupt the overall symmetry, maintaining a pleasing aesthetic and ensuring adaptability. The symbol's versatility lies in its ability to adapt to the myriad of ways in which people approach spirituality and the quest for meaning. Just as Omnism embraces a wide spectrum of religious and philosophical traditions, this symbol invites individuals to imbue it with their own interpretations and significance. So ultimately, much like Omnism itself, this symbol is to be used in a personal context; as from individuality, comes the mosaic of unity.




In a world where diversity of thought and belief is rarely celebrated, this symbol serves as a reminder that unity can coexist with individuality. It is a testament to the idea that while we may appear to differ significantly in our beliefs, there is always room for common ground and mutual understanding; the recognition that, at our core, we are all connected by our shared spiritual, and philosophical experiences.


My gift, to you all.

- Nothing Isn't Okay.



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